Artist Profile - Veronica Hudson
Canyon Light II
Medium: Ink, Watercolour & Charcoal on Paper
Measurements: 31 x 31cm
Year: 2020
Price: £550 Plus Delivery
Into The Woods
Medium: Oil on Canvas
Measurements: 92 x 92cm
Year: 2020
Price: £2200 Plus Delivery
Canyon 1
Medium: Oil on Canvas
Measurements: 112 x 112cm
Year: 2020
Price: £2800
New Mexico II
Medium: Ink, Graphite on Paper
Measurements: 31 x 31cm
Year: 2020
Price: £550 Plus Delivery
Canyon Light I
Medium: Ink, Watercolour & Charcoal on Paper
Measurements: 31 x 31cm
Year: 2020
Price: £550 Plus Delivery
Electric Sea
Medium: Oil on Wood
Measurements: 39 x 39cm
Year: 2020
Price: sold
Cacti Desert Dance II
Medium: Watercolour, Ink & Sand on Paper
Measurements: 31 x 31cm
Price: £550 Plus Delivery
Fisherboy
Medium: Oil on Canvas
Measurements: 92 x 92cm
Year: 2020
Price: £2200 Plus Delivery
The Great Fish
Medium: Oil on Wood
Measurements: 39 x 39cm
Year: 2020
Price: Sold
Cacti Desert Dance I
Medium: Watercolour, Ink & Sand on Paper
Measurements: 31 x 31cm framed
Price: £550 Plus Delivery
Canyon 2
Medium: Oil on Canvas
Measurements: 92 x 92cm
Year: 2020
Price: £2200 plus delivery
Waiting
Medium: Oil on Canvas
Measurements: 92 x 92cm
Year: 2020
Price: SOLD
Canyon Light II
Medium: Ink, Watercolour & Charcoal on Paper
Measurements: 31 x 31cm
Year: 2020
Price: £550 Plus Delivery
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Biography
Living and working on the Jurassic Coast in West Dorset, Veronica's practice grows from a place firmly rooted in the surrounding landscape. The uncoventional, textureed quality of Veronica's mark-making distinguishes her work. Her collection of drawings, paintings and sculptures unpack the process of their making through their organic, honest forms. Exploring a wide variety of mediums, such as oil paint, ink, plaster, clay, wood, and charcoal, the work becomes bound by its central motive of storytelling. Exploring our symbiotic existence, Veronica's work nurtures the way in which we mark and are marked by our environment.
Artist Statement
Arts Residency New Mexico, Alberqueque 2017
Living in a simple adobe hut in the scubland of the desert, walking by day through empty canyons of deep red rock, stacks of rocks towering overhead, feeling the presence of these silent rock people.
Equipped with three tubes of paint, inks, watercolour and desert dust, a roll of brown paper I would spend the morning drawing painting and walking through the canyons absorbing the vastness of the desert and the presence of the history of the land, totems of the past. My small studio provided a quiet place to fill my 100 square sheets using water colour, inks, lead powder and desert dust with images of the land and my walks.
Once home, with this memory I painted a series of canvases in oil and charcoal.