Artist Profile - Philippa J Anderson
Untitled 14
Medium: Acrylic & Ink on Canvas
Measurements: 100 x 100cm Unframed
Year: 2020
Price: £1800 Plus Delivery
Untitled 4
Medium: Ink on Stretched Paper
Measurements: 45 x 45cm Unframed
Year: 2019
Price: £250 Plus Delivery
Untitled 5
Medium: Ink on Stretched Paper
Measurements: 45 x 45cm Unframed
Year: 2019
Price: £250 Plus Delivery
Untitled 1
Medium: Acrylic & Ink on Canvas
Measurements: 110 x 80cm Unframed
Year: 2019
Price: £1800 Plus Delivery
Untitled 3
Medium: Acrylic & Ink on Canvas
Measurements: 61 x 61cm Framed
Year: 2019
Price: £600 Plus Delivery
Untitled 13
Medium: Acrylic & Ink on Canvas
Measurements: 100 x 100cm Unframed
Year: 2020
Price: £1800 Plus Delivery
Untitled 2
Medium: Acrylic & Ink on Canvas
Measurements: 72 x 72cm Framed
Year: 2019
Price: £800 Plus Delivery
Untitled 15
Medium: Acrylic & Ink on Canvas
Measurements: 100 x 100cm Unframed
Year: 2019
Price: £1800 Plus Delivery
Untitled 14
Medium: Acrylic & Ink on Canvas
Measurements: 100 x 100cm Unframed
Year: 2020
Price: £1800 Plus Delivery
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Biography
Philippa Anderson's work is an emotional response to the subject of ruins, investigating experiences associated with the passage of time, decay and declining industry. Anderson draws metaphorical parallels between the ruination of fragmented, architectural forms and the experiences of human existence.
Artist Statement
Her work is driven by processes and materials. Central to this is intuitive mark making enhanced by the action of applying paint directly to the canvas using her hands as a tool. Working on paper and canvas, layering applications of ink and gesso and acrylic paint, Anderson creates a palimpsest of fading marks and imagery alluding to dilapidated architecture. In a recent interview she recalls growing up in the North East of England in the 1970s where economic decline pervaded daily life. Anderson remarks,“images of abandoned factories and declining industry surrounded me, seeping into my subconscious, working intuitively allows me to draw on internalised imagery, producing work without any visual references.The paring back of recognisable forms offers the observer evocative fragments of strangely familiar narratives.”