Artist Profile - Alison Macgregor Grimley

Zeitgeist II (oil on canvas 100 x 100cm) £850 plus delivery
Zeitgeist II (oil on canvas 100 x 100cm) £850 plus delivery

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Biography
Artist Statement

Zeitgeist II (oil on canvas 100 x 100cm) £850 plus delivery Zeitgeist III (oil on canvas 100 x 100cm) £850 plus delivery Breaker IV (oil on canvas  framed  95 x 95cm)  £950 plus delivery Curve II (oil on canvas 60 x 60cm) £250 plus delivery
Red Drift (oil on canvas 104 x 84cm framed)  £950 plus delivery Flash Point I (oil on canvas 80 x 100cm framed) £950 plus delivery Flash Point II (oil on canvas 95 x 95cm unframed) £950 plus delivery Das Lied Van der Erde I (song of the earth) (oil on canvas 84 x104cm framed) £950.00 plus delivery
Tanglewood (oil on canvas 120 x 120cm) £1000 plus delivery Blue Drift (oil on canvas 80 x 100cm) £750 plus delivery Last Tide I (oil on canvas 104 x 84cm framed)  £950 plus delivery Zeitgeist IV (oil on canvas 80 x 100cm) £750 plus delivery
Surfing I (oil on canvas framed 95 x 95cm) £950 plus delivery Shadowland II (oil on canvas 84 x 104cm framed) £950 plus delivery Breaker I (oil on canvas framed 84 x 105cm) £950 plus delivery Breaker II (oil on canvas framed 84 x 105cm) £950 plus delivery b
Freefall I (oil on canvas 84 x 104cm framed)  £950 plus delivery Curve I (oil on canvas 50 x 50cm) £220 plus delivery Surfing I (oil on canvas 94 x 94cm framed) £950 plus delivery

Biography

Alison Magregor Grimley is an abstract artist who’s work is primarily about northern light and colour. She trained at Fine Art at Kent Institute of Art & Design and won the Daler-Rowney Painting Prize in her graduation year. She is a member of Abstract Edge who she exhibits with regularly.


Artist Statement

My work has its roots in landscape, and is predominantly concerned with northern light and colour. Autumn, winter and spring are the times of year I like best because of the white light, full of clarity and sharp contrasts against the deep violets of distant hills – especially the hills of the Welsh Marches with their ancient geological history.As a colourist, I like to build up layers of thin washes before adding deeper shades. A white ground of gesso or paper enables the light to show, creating an impression of “looking through”. The aim is to paint something intangible – perhaps the feeling of finding the source of light as it comes from behind the clouds or through the trees. It is the landscape of the imagination. Texture is also a strong component in my work. I take an experimental approach, using hand-printed marks as collages, to be incorporated in the painting. The forms, through abstract, are always biomorphic in origin.