Artist Profile - Edward Ball

Postlude (after cinematic orchestra's postlude from man with a movie camera) (122 x 84 cm, mixed media)
Postlude (after cinematic orchestra's postlude from man with a movie camera) (122 x 84 cm, mixed media)

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Biography
Artist Statement

Postlude (after cinematic orchestra's postlude from man with a movie camera) (122 x 84 cm, mixed media) Real Life (evolution II) (after Cinematic orchestra's real like evolution II from man with a movie camera) (122 x 84 cm, mixed media) Cinematic in Brown (60 x 200cm, mixed media) £2850.00 plus delivery Theme De Yoyo (after Cinematic orchestra's, Man with a movie camera) (122 x 84 cm, mixed media)
Real Life (evolution II) (after Cinematic orchestra's real like evolution II from man with a movie camera) (122 x 84 cm, mixed media) Shou Sugi Ban sculpture Man with the movie camera (after Cinematic orchestra's, Man with a movie camera) (122 x 84cm, mixed media) Cinematic Mix (after Cinematic orchestra) (122 x 84 cm, mixed media)
The Awakening of a Woman (burnt out) (122 x 84 cm, mixed media) Evolution, Versao Portuense (after Cinematic orchestra's Evolution, from Man with a movie camera) Terminator Rhythm (after Terminator, by Goldie) 80 x 130cm

Biography

Ed is a Hereford based artist who has had joint and solo shows within recognised galleries throughout the UK and Canada. He has created  commissions for many companies, banks, retail establishments, churches, and collectors throughout the UK, Canada and USA. He also works closely with an architect based in the USA, and has produced a large commissioned structural glass artwork for a client based in America.


Artist Statement

“My work is all about producing compelling and vibrant art that has a sense of movement and energy within it. I listen to sound and music and then paint it in an abstract form, abstracting directly from the sound and rhythm. I paint with fast flowing gestures and intensity, which gives me the ability to capture something striking and vibrant, with the feel of organic vitality and motion. I like to draw the viewer into my work with a sense of intrigue.”