Artist Profile - Tony Houlden

Acrobat I (copper wire height 22cm) £85 plus delivery
Acrobat I (copper wire height 22cm) £85 plus delivery

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Biography
Artist Statement

Acrobat I (copper wire height 22cm) £85 plus delivery Factory Man III (decline of industry) (electrical wire from skip life sized) £1800 plus delivery Fag Head profile 1 (ash tray debris) £595 plus delivery Fag Head close up (ash tray debris) £595 plus delivery
Mr No. 6 (job pages and rejection letters wooden frame & papier mache) £850 plus delivery Mad Chef (copper wire height 38cm) £150 plus delivery Bus Stop (wire wool) £680 plus delivery Factory Man I & II (decline of industry) (electrical wire from skip life sized) £125 and £210 plus delivery

Biography

Tony was born in Boston Lincolnshire in 1954, his parents moved to Gloucester in 1956 where he has lived ever since. In 1990 he had a picture that he had drawn of a local business man, published in the Stroud News and Journal. Over the next six or seven years Tony used his talents to create portrait and character pictures of people to raise money for local charities including Robinswood Primary, Spring Centre and Pied Piper appeal.In 2001 he enrolled at Gloucestershire College of Arts & Technology, based at the Pittville Campus in Cheltenham. Since finishing his course he has continued to create and exhibit, in public spaces and private galleries. The majority of Tony’s work is made using recycled or used materials such as sofa foam, electrical wire, paper and wood. The ideas and themes which he expresses in his work are often based on his experiences in life or events which have affected the community he has grown up in. These events are on the whole ones of hardship and depression; however Tony’s use of humour and caricature mean his work seems to reflect peoples ability to overcome rather than be suppressed.


Artist Statement

”My work is mainly figurative. I entwine memories of my past and local histories in the works I produce.

 

Many of my pieces have a quirky twist in that they reflect my own sense of fun.

 

I incorporate springs or weights (or the wind) to make mechanical movements in my work. My grandfather repaired watches and was a huge influence upon my artistic practice.”