Artist Profile - Steve Johnston

In the City (mixed media unframed 100x80cm) £2500 plus delivery
In the City (mixed media unframed 100x80cm) £2500 plus delivery

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Biography
Artist Statement

In the City (mixed media unframed 100x80cm) £2500 plus delivery Love is Privilege (28 x 20 inches, oil & acrylic on canvas) sold The Donkey (oil and acrylic on canvas, 62 x 62cm unframed) Sold The Painting (mixed media unframed 70 x 70cm) £1450 plus delivery

Biography

Born in Glasgow in 1956 Steve grew up in Dumfries and studied at art school. Upon leaving, he became an apprentice electrician for a brief period, as he was uncertain of where his artistic path led. In 1973, Carlisle College offered him a placement, where, during the second year, he opted for a change in medium, preferring photography to painting. He found black & white formats extremely inspiring and exciting to work with, seeing himself in fact as an artist but utilising a camera rather than paint. Upon leaving college he moved to London where he did freelance work for teen magazines, which led to work for Vogue in 1977, where his work was included in the ‘Pink Punk Book’ published in 1978. This style of photo launched the first issue of i-D magazine in 1980, where he worked for the following few years. In 1991, when photography no longer became inspirational for him, he started painting seriously again concentrating once again on the medium that he had originally embraced. “It was then that “It was then that something clicked and I have not looked back since……painting is my life.”


Artist Statement

He is always drawn to figures that create a great shape. Details such as ‘how’ someone is standing or ‘what’ they are doing come into play afterwards. It is the graphic shape of the ‘body mass’ that inspires the first ideas. Certain images can unlock powerful emotions which are separate from what the actual content of the picture could create if focused on in more detail. He attempts to take the voyeur somewhere with a sense of the familiar that has an almost ephemeral and ethereal quality, rather than somewhere specific. With the same reasoning, he does not depict figures to be anyone in particular. “The aim is to portray an essence and emotion rather than a well defined and precise person or location, as I am not interested in set narrative pieces.”