Artist Profile - Shellie Byatt

The Mowing Devils (paper, pencil and paint) 78 x 93 cm, £770
The Mowing Devils (paper, pencil and paint) 78 x 93 cm, £770

Click for larger image...

Biography
Artist Statement

The Mowing Devils (paper, pencil and paint) 78 x 93 cm, £770 In The Yard (paper, pencil and paint 75 x 80cm), £670 Little Jonah (paper, pencil and paint) 55 x 62 cm, £480 The Improbable Suitor (paper, pencil and paint) 56 x 60 cm SOLD
Soon Ripe, Soon Rotten (paper, pencil and paint)  85 x 76 cm, £770 Transfer of Affection (paper, pencil and paint) 50 x 56 cm, £480 Eve named the dog, the jug and the bitter herbs (paper, pencil and paint) 58 x 56 cm, £480 Little Rabbit (paper, pencil and paint)  74 x 72 cm SOLD
The Birdcage (paper, pencil & paint 70 x 81cm), £620 New Constellation (paper, pencil and paint) 63 x 65 cm, £550 Broomfield Hill (paper, pencil & paint 90 x78cm) £770 Reunion Hill (paper pencil and paint) 110 x 95 cm, £1100
Old Medicine (paper, pencil and paint)  44 x 44cm, £360 The Blue Ribbon (paper, pencil and paint) 66 x 89 cm, £640 Sudden Goodbye (paper,pencil and paint) 57 x 60 cm, £480 No More Garden (paper pencil and paint) 56 x 57 cm, £480
Adam named the snake, the musket and the necklace of bone (paper. pencil and paint) 59 x 56 cm, £480

Biography

Shellie Byatt was born and brought up in London, and took her degree at Goldsmiths College. She later obtained a postgraduate teaching qualification, and has subsequently worked with young children in primary schools and workshops. After leaving London, she lived and worked in Norfolk for ten years before moving to Hereford in 2001. Shellie Byatt’s quirky and intriguing images tell tales of love and longing, misunderstanding and redemption… all the complexities and riddles of human relationships. They are made using paper collage, worked with pencil, paint and ink to produce highly detailed images. The main sources of inspiration are from music and words, and medieval and outsider art.


Artist Statement

I have been fascinated since childhood by words and images, and how we use them to tell stories which might help us to make sense of the world and, in particular, human relationships. I like ambiguity and riddles, and try to include these in my images. I am particularly intrigued and delighted when people see part of their own story in my work, especially when it is something I have not knowingly put in.As I work on an image, I deliberately allow other ideas to wander in and take their place in the picture. This gives the work a life of its own rather than being merely an illustration of an idea. Keeping open to this intuitive way of working allows in ideas from many sources which often, and happily, surprise me.Among my sources of inspiration are medieval and outsider art, as well as the imagery of young children who can still enjoy and express their inner world without censorship. Music is also an important inspiration, as well as a necessary part of my working environment. In earlier work I used a lot of textiles, and my love of colour and pattern is still evident in my images today. I have developed my particular form of collage over several years, using mainly drawing but now with the addition of paint and inks. I use colour and pattern symbolically as well as for visual pleasure.