Artist Profile - Beth Richardson

Above  (acrylic on canvas 68 x 88cm framed) £800 plus delivery
Above (acrylic on canvas 68 x 88cm framed) £800 plus delivery

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Biography
Artist Statement

Above  (acrylic on canvas 68 x 88cm framed) £800 plus delivery Breathe (acrylic on canvas 80 x 108cm framed) £900 plus delivery Sun (acrylic on canvas 128 x 128cm framed) £1800 plus delivery Yellow (acrylic on canvas framed 108 x 108cm) £900 plus delivery
Gift (acrylic, framed 80 x 108 cm) £900 plus postage Rosy (acrylic on canvas 80 x 100cm framed)  £900 plus delivery Wild (acrylic on canvas, 82 x 82cm framed) £800 plus postage High (acrylic, framed 108 x 108 cm) £900 plus postage
Full (acrylic on canvas framed 56 x 56cm) £440 plus delivery Lilly (acrylic on canvas 105 x 160cm framed) £2000 plus delivery Await (acrylic on canvas 102 x 120cm) £1600 plus p&p Living (acrylic on canvas 82 x 108 framed)  £900 Reserved
Wait (acrylic on canvas 80 x 108cm framed) £900 plus delivery Above  (acrylic on canvas 68 x 88cm framed) £800 plus delivery Stack (acrylic on canvas 50 x 65cm framed) £460 plus delivery Fresh (acrylic on canvas framed 56 x 56cm) £440 plus delivery
Tucked (acrylic on canvas 56 x 56cm framed) £440 plus delivery Bedside (acrylic on canvas framed 97 x 97cm) £900 plus postage

Biography

Beth  graduated, from the University of Gloucestershire with a first class BA (Hons) in Fine Art in 2008. Last year she had several very succsesful exhibitions and has started 2010 with a near sell out show at the London AAF. She has also exhibited in the Herefordshire Open Exhibition two years in a row and currently has work hung n the Birmingham Open.    Beth's current work incorporates paintings and sculptures which are made in response to the nature and physicality of distinctive, found, everyday objects that have ceased to function in their normal way.


Artist Statement

 “Domestic interiors also become the subject of paintings in which I create psychological spaces and explore the strangely human characteristics the objects reveal both alone and in relation to each other.”“I am interested in the area of transitional space between the 2-D, conventional use of painting and the move beyond the floor into amore inclusive, installation space.  Given the liberty to work on several pieces at once I assemble and alter familiar objects to generate new meanings and readings.  The space and nature of the work creates an installation environment, where the individual pieces and even the clutter on the floor can contribute to a whole piece.  This organic development of an environment continues to challenge my pre-conceived boundaries of what I believe constitutes a painting.”