Artist Profile - Pia Dowse

Lady Drifting; after Van De Weyden  (oil on canvas framed 17 x 22cm) £250 plus delivery
Lady Drifting; after Van De Weyden (oil on canvas framed 17 x 22cm) £250 plus delivery

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Biography
Artist Statement

Lady Drifting; after Van De Weyden  (oil on canvas framed 17 x 22cm) £250 plus delivery Record of a Lady II; after Holbein (pencil & oil on Canvas framed 28 x 35cm) £400 plus delivery Screened; After Van De Weyden (oil on canvas framed 17 x 22cm)  £250 plus delivery The Exodus (acrylic on canvas, 70 x 100 cm) £800
Anonymous (oil on canvas framed 17 x 22cm)  £250 plus delivery Through The Looking Door (oil on canvas framed 25 x 33cm) £400 plus delivery ps Seduction  (acrylic, collage & varnish on canvas unframed  70 x 100cm) £800 plus delivery Penthouse (acrylic, collage & varnish on board 40 x 40cm unframed) £350 plus delivery
Phantom Landscape; After Ruisdael (oil on canvas framed 25 x 33cm) £400 plus delivery Remains of a Landscape; after Ruisdael (oil on canvas framed 33 x 25cm)  £400 plus deliveryps Record of a Lady I; after Holbein (pencil & oil on Canvas framed 28 x 35cm) £400 plus delivery Square Eyes; After Campin (oil on canvas framed 17 x 22cm) £400 plus delivery
Blanket Coverage (mixed media on canvas 20 x 35cm framed) £450 plus delivery Big Brother (oil on canvas framed 94 x 126cm) £1500 plus delivery web Broken Root (oil on canvas framed 25 x 33cm) £400 plus delivery Big Brother (oil on canvas framed 25 x 30cm) £450 plus delivery web
Regeneration (acrylic on board 95 x 144cms unframed) £1600 plus delivery Poison Lands (acrylic, collage & varnish on board 40 x 40cm unframed) £350 plus delivery

Biography

Pia  was born in Ascot, 1987, moved to Monmouth 1991, attended  Hereford Cathedral School where she exhibited twice in the Three Choirs Festival and graduated with one of the top marks in the country for A level fine art. She has just graduated with a first class  Fine Art Degree at University College Falmouth. 


Artist Statement

GRADUATE SHOW PIECES:We live in an age of bountiful corporate consumerism spread through mass media images. Giant advertising billboards, glossy magazines, television and an omnipotent presence of ‘celebrity’ shape our society. The ubiquity of commercialism and increasing urbanisation leads us away from anything authentic and instead leads us to a radical artificial environment where genuine interaction is supplanted by interaction with images on TV, computer games, billboards and magazine advertising. The wide circulation of  these images in society and the possibilities of manipulating such imagery using computers leads to another refined layer of artificiality imposed on reality. My paintings therefore are ‘not so much a reference to a visible or tangible reality, but rather to a reality that is artificial, otherworldly or fabricated.’ (Debbaut). I try to create a cool artificiality through painting urban landscapes or eccentric visions of nature both of which occasionally combine in an equilibrium, both seemingly constructed from the same material. My paintings, like mass media images, should give a ’personal’ glimpse into a world away from your own but I hope the world reveals itself to be a hoax through the bizarre, awkward and unreal juxtapositions of objects. I directly reference renaissance religious painting as a way of translating biblical stories into a contemporary context. However the contrasts to urban consumer images are there to question whether urban, consumer society has warped religion and spirituality. Whereas traditional religion offered the hope of transcendence can our quest be far easier met now by glittery images that naturally transport us to another realm? Has the ’consumer experience’ taken the place of  ’religious experience’?  Perhaps consumerism is the new religion.